On Saturday, Ed came home and said he’d heard something on the radio and then had to go spend a lot of money. This is so contrary to normal Ed behavior that I was stunned. It turns out that the Pixies were playing a show in Indianapolis last night, and tickets were still available. Unfortunately, the venue is acoustically questionable, and the last time we went to a concert there, I had a headache halfway through the opening act. However, when one of the short list of bands that both Ed and I like comes to town, even massive amounts of trepidation wouldn’t keep me away.
Still, it didn’t start well. I shoved some earplugs halfway to my brain, crossed my fingers, and settled into my seat.
The opening act, which I will simply call The Band Without a Musical Identity, was certainly not the worst I’ve ever seen; they were solidly mediocre. Their singer had a good voice, and if you can imagine a thirtysomething Tina Turner as a self-proclaimed punk goddess, you’ll get a reasonably good idea of what their entire set was like. On the other hand, I always feel a little sorry for opening acts. I can’t help but think of what Henry Rollins used to say about Black Flag opening for Judas Priest, “Everyone in the audience is there to see one band…and you are not in that band.” Then, the intermission stretched out rather long, during which time we had ample opportunity to mock bad tattoos and I saw a lot of outfits I’d like to be able to wear…but wouldn’t.
Finally, the lights went down again. Disdaining theatrics, the Pixies simply stepped out onto the stage and right into “Allison.” Immediately, my disappointment melted away and I was having a great time, which lasted right through their encore of “Winterlong.” In between, they played every single song you could possibly want to hear, earning huge applause for “Debaser” and “Gigantic.” I couldn’t have been happier with their down-tempo and ethereal rendition of “Wave of Mutilation,” which is not only my favorite Pixies song, but the only song I’ve ever claimed to know all the words to, period. Frank Black’s and Kim Deal’s voices are as good as ever; last’s night’s performances of “Into the White” and “Winterlong” were better than any album version I’ve heard. The band was so tight, and so obviously enjoying themselves, that you’d never know this was a reunion tour. I didn’t even notice that I was on my feet the entire time that they played. I haven’t had this much fun at a concert since I saw the Drovers ten (twelve?) years ago.